04 November 2009

La Danse


here's a
review of the latest from acclaimed documentary filmmaker
Wiseman has devoted the past four decades to studying institutions, making classics such as High School, Law & Order and Public Housing. He resists simple interpretations of his work. “If I could summarize it in twenty-five words,” he says, “I shouldn't make the movie.” His typical working method is to spend several weeks embedded in an institution, with his long-time cinematographer John Davey shooting on 16mm. While editing the material, Wiseman avoids narration or text cards, and doesn't force the events into a simple narrative arc. Rather than telling viewers what to think, he wants them to watch carefully and take away their own meaning...
In
La Danse, Wiseman allows us to observe multiple corners of the Paris Opera Ballet, from rehearsal studios to costume rooms to administrative offices. We get extensive access to choreographers as they work with dancers in both classical and modern styles. You needn't be a dance aficionado to marvel at the beauty and athleticism on display. Wiseman doesn't ignore the reality that all this art costs money. He observes a marketing team as they strategize on how to give American benefactors something extra for their $25,000 contributions. For such a generous gift, they get to sit in on a rehearsal. Tagging along with Wiseman, our access is priceless...
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